Audio Production Worktext: Concepts, Techniques, and by David Reese, Lynne Gross, Brian Gross

By David Reese, Lynne Gross, Brian Gross

Supplying perception into the influence media convergence has had at the radio undefined, this new version offers a great advent to the fashionable radio creation studio, the gear present in that studio, and the fundamental thoughts had to accomplish radio creation paintings. New chapters addressing the fundamentals of box recording, construction making plans, and sound for video are integrated, in addition to a renewed emphasis on not only radio construction, yet audio construction. that includes a worktext structure adapted for either scholars and lecturers, self-study questions, hands-on initiatives, and a CD with venture fabric, quizzes, and demonstrations of key recommendations, this ebook deals a superior starting place for an individual who needs to grasp extra approximately radio/audio apparatus and construction innovations. * formerly titled Radio creation Worktext, this re-creation gains exact emphasis at the influence of media convergence, stressing the topic that audio content material is now applied on a number of structures, whereas nonetheless delivering a radical creation to the fashionable radio creation studio, gear, and methods to complete radio construction paintings * handy, hands-on worktext layout offers a whole source for studying and educating * spouse CD-ROM presents venture fabric, quizzes, and demonstrations of key audio strategies and ideas

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Extra resources for Audio Production Worktext: Concepts, Techniques, and Equipment

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It always has rising action and a climax. It is used when video and audio are recorded together. 7. Which term is defined as language that, in context, depicts or describes, in terms patently offensive as measured by contemporary community standards for the broadcast medium, sexual or excretory activities or organs? a) b) c) d) obscenity indecency libel payola 8. Which of the following would be considered a target audience? a) the radio network NPR 16 b) people who do not fit any demographic c) a style that relates to theater of the mind d) married women in their thirties 9.

5b. 6b. 7b. 8b. 9b. 10b. This answer is correct, but there is a better answer. ) No. One form of these laws does not exist. ) Wrong. Radio production people who can do many different things are prized. ) Yes. “Stingers” is the correct term. No. A rundown is a script form and may contain the five Ws and an H, but it is not the form most likely to contain them. ) No. A script is not a performance release. ) Correct. This is the definition for indecency. No. This is impossible. ) Yes, this is the correct answer.

A frequency response curve is often used to indicate the level of frequency response because some equipment may not pick up or reproduce certain frequencies as well as others. Broadcast equipment is designed to pick up all frequencies equally well, so its response curve is considered to be flat, although few components have a truly flat frequency response curve. Although there are no standard figures, the audio frequency spectrum is often divided into three regions: bass, midrange, and treble. The low frequencies (bass) are those between 20 and 250 Hz and provide the power, or bottom, to sound.

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