By Jonathan Kellerman
By way of writing deftly layered, tightly coiled novels of suspense, no 1 New York Times bestselling writer Jonathan Kellerman reigns best as “master of the mental thriller” (People). Now, Kellerman has labored his magic back during this chilling new masterpiece.
The nameless caller has an ominous tone and an unnerving message approximately whatever “real useless . . . buried on your marsh.” The eco-volunteer at the different finish of the telephone thinks it’s a prank, but if a tender woman’s physique turns up in L.A.’s poultry Marsh guard no one’s guffawing. And whilst the bones of extra sufferers floor, murder detective Milo Sturgis realizes the city’s below siege to an insidious killer. Milo’s first circulate: calling in psychologist Alex Delaware.
The murdered girls are prostitutes–except the newest sufferer; a super younger musician from the East Coast, hired by way of a prosperous family members to coach a musical prodigy, Selena Bass turns out misplaced within the marsh’s grim tableau.
Conveniently–perhaps ominously–Selena’s blueblood employers are nowhere to be chanced on, and their estate’ s jittery caretaker increases hackles. yet Milo’s instincts and Alex’s perception are too well-honed to accept effortless solutions, even given the darkish secrets and techniques during this afflicted man’s previous. Their research reveals traumatic layers–about sufferers, capability sufferers, and suspects alike–plunging even deeper into the murky marsh’s enigmatic depths.
Bizarre information of the crimes recommend a devilish serial killer prowling L.A.’s gritty streets. but if a brand new homicide deviates from the trend, derailing a potential profile, Alex and Milo needs to glance past the suspicion of insanity and view an excellent extra sinister brain at paintings. solutions don’t come effortless, however the darkest of drives and wishes could gas the main devious of foes.
Bones is vintage Kellerman–relentlessly peeling again the surface and psyches of its characters and revealing the shadows and sins of the souls underneath. With jolt after jolt of galvanizing suspense, it drives the reader via its twists and turns towards a climax as enjoyable because it is shattering.
From the Hardcover edition.
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Additional resources for Bones (Alex Delaware, Book 23)
These phenomena are registered repeatedly in the texts with which we are concerned in this book, but we will begin by exploring how they are played out through the styles and strategies of one postfeminist icon, Madonna, and the generations of female artists who have been identified as the potential inheritors of her mantle. Madonna and child? On 13 February 2011 Lady Gaga arrived at the 53rd Annual Grammy Awards in Los Angeles encased in a giant egg. As the makeshift womb bobbed above the crowds lining the red carpet, carried aloft by four rubber-clad male models, her creative director explained that Lady Gaga was ‘incubating’ and would not be ‘born’ until her performance that evening.
If feminism is an ontology, a way of being, then it is also a hauntology in the Derridean sense – a way of being that is shaped by anxieties about the past, concern for the future and an overarching uncertainty about its own status and ability to effect change in a world where its necessity is perpetually cast into doubt. As a meditation on politics after the ‘death of communism’, or what Francis Fukuyama augurs as the ‘end of history’, Specters of Marx shows how the ghosts of communist revolution continue to haunt the living present as signs of what might have been, and what might yet still be; they are, in essence, ghosts of political possibility.
Even in Walby’s account of feminism’s rude health, its distorted appearance and decreased visibility imply a peculiar ghostliness: if it is not dead, it is not alive in the same way that once it was. As Walby’s reflections indicate, the repeated – if erroneous – sounding of feminism’s death knell has altered the movement’s appearance within the popular imaginary; suspended somewhere between life and death, it is marked by both presence and absence. What, then, are the implications of this position?