Pitch Dark by Renata Adler

By Renata Adler

"What's new. What else. What subsequent. What's occurred here."

Pitch darkish is a publication approximately love. Kate Ennis is poised at a severe second in an affair with a married guy. The problems and contradictions pursue her from a home in rural Connecticut to a brownstone condo in long island urban, to a small island off the coast of Washington, to a pitch black evening in backcountry Ireland.

Composed within the type of Renata Adler's celebrated novel Speedboat and exhibiting her willing journalist's eye and mastery of language, either easy and elegant, Pitch darkish is a daring and striking murals.

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Sample text

I know. ’ Dexter raised his head and stared bleakly at the grimacing samurai. ‘When it came to it, I didn’t . ’ Joan shook his shoulder, irritated by him. ‘So what? Nobody does. ’ ‘I had the balls . ’ Dexter calmed her with his quirky smile. ‘What I didn’t have was hope, or trust. I was relying on myself. For me, those children were already dead. I should have remembered who I was trying to be. ’ I waited for Dexter to reflate himself, jaw flexing as it reengaged with his scarred face. ‘The travel agency you tried to attack.

The planet is full. ’ Her voice rose to a derisive hoot. ‘Gangs of coolies who mix the cement and lay the runways. ’ They’re the real victims. ’ I held my ribs, no longer thinking of whether I could walk as far as the King’s Road. Kay Churchill was launched into a well-rehearsed rant, counting off the chipped beads in her catechism of obsessions. According to Henry Kendall, the tape found in the Heathrow air vent had contained a similar tirade. I remembered the amateur video of Laura lying among the glass and suitcases, and listened to Kay addressing her real audience, the weary magistrates who would finally consign her to a cell in Holloway.

Laing and a familiar figure on CND marches, joining Bertrand Russell at anti-nuclear sit-ins and being glamorously dragged away by the police. Late-night discussion programmes on television were as much her natural home as the consulting room. As a child I watched her on my grandmother’s TV set, deeply impressed by the caftans, waist-length black hair and fiercely articulate passion. Free love and legalized drugs meant little to me, though I guessed they were in some way connected to the friendly but unfamiliar men who appeared on her weekend visits, and to the home-made cigarettes she taught me to roll for her and which she smoked despite the protests of my wearily tolerant grandmother.

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