By Paul C. W. Davies
ARE WE on my own within the UNIVERSE?
In his most modern far-reaching e-book, The 5th Miracle, across the world acclaimed physicist and author Paul Davies confronts one in all science's nice amazing mysteries -- the starting place of life.
Three and a part billion years in the past, Mars resembled Earth. It was once hot and rainy and will have supported primitive organisms. If lifestyles as soon as existed on Mars, may well it have originated there and traveled to Earth inside of meteorites blasted into house by way of cosmic impacts?
Davies builds at the most modern medical discoveries and theories to deal with the bigger query: What, precisely, is existence? Is it the inevitable derivative of actual legislation, as many scientists retain, or a nearly fabulous coincidence? Are we by myself within the universe, or will existence emerge on all Earth-like planets? And if there's existence somewhere else within the universe, is it preordained to conform towards larger complexity and intelligence?
On the solutions to those deep questions hinges the last word goal of mankind -- who we're and what our position can be within the unfolding drama of the cosmos.
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Extra resources for The Fifth Miracle: The Search for the Origin and Meaning of Life
You would think that given its importance, creativity would have a high priority among our concerns. And in fact there is a lot of lip service paid to it. But if we look at the reality, we see a different picture. Basic scientific research is minimized in favor of immediate practical applications. The arts are increasingly seen as dispensable luxuries that must prove their worth in the impersonal mass market. In one company after another, as downsizing continues, one hears CEOs report that this is not an age for innovators but for bookkeepers, not a climate for building and risking but for cutting expenses.
Yet many social scientists in the last hundred years have made it their task to expose the hypocrisy, self-delusion, and self-interest underlying human behavior traits that were never questioned scientifically before the end of the nineteenth century. Poets like Dante or Chaucer were of course intimately acquainted with the foibles of human nature. But it was not until Freud explained the possibility of repression, Marx argued the power of false consciousness, and sociobiologists showed how our actions are the outcome of selective pressures that we had systematic insights into why our reports about ourselves may be so deceptive.
There is nothing wrong with defining creativity this way, as long as we realize that this is not at all what the term originally was supposed to mean—namely, to bring into existence something genuinely new that is valued enough to be added to the culture. On the other hand, if we decide that social confirmation is necessary for something to be called creative, the definition must encompass more than the individual. What counts then is whether the inner certitude is validated by the appropriate experts—such as the editors of the publishing house in the case of far-out manuscripts, or other scientists in the case of cold fusion.